Pierre-François Ouellette art contemporain Inc.
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Luc Courchesne

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Luc Courchesne, 2018/07/24, Paris, île Saint-Louis, 2018 20180724

Luc Courchesne

2018/07/24, Paris, île Saint-Louis, 2018
Impression numérique sur disque acrylique translucide et dispositif rotatif / Digital print on translucent acrylic disc and rotary device
32 x 32 in
81.3 x 81.28 cm
(diam)
Ed. 3
Series: Series 32"
© Luc Courchesne
$ 4,500.00
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“View on wall”
Place Dauphine à proximité du Pont Neuf. Ici le couvert des arbres crée une lumière tamisée qui met les façades en valeur. Comme dans les autres images panoscopiques de Luc,...
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Place Dauphine à proximité du Pont Neuf. Ici le couvert des arbres crée une lumière tamisée qui met les façades en valeur. Comme dans les autres images panoscopiques de Luc, il est intéressant de considérer l’effet anamorphique d’ensemble, avant de s’intéresser aux détails plus réalistes qui apparaissent lorsqu’on se concentre sur une portion ou une autre du disque rotatif.

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Place Dauphine near the Pont Neuf. Here, the canopy of trees creates a subdued light that enhances the facades. As in Luc's other panoscopic images, it is interesting to consider the overall anamorphic effect, before looking at the more realistic details that appear when we focus on one portion or another of the rotating disc.

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Conçu par l'artiste à la fin des années 1990, le Panoscope est un dispositif de projection panoramique monocanale et une méthode de prise de vue adaptée à sa géométrie. La série photographique Journal panoscopique de Luc Courchesne, commencée en 2000, présente des anamorphoses de l’espace environnant tel que vu par le système optique qu’il utilise. Les œuvres font appel à une forme d'interactivité, les spectateurs étant invités à faire tourner le disque sur lui-même pour privilégier l’un ou l’autre des multiples points-de-vue qu’offre cette représentation photographique de l’horizon dans son entièreté.

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Designed by the artist in the late 1990s, the Panoscope is a single channel panoramic projection apparatus and a picture taking method adapted to its geometry. Luc Courchesne’s photographic series Journal panoscopique, begun in 2000, presents anamorphic representations of the surrounding space as seen by the optical system he uses. The works call for a form of interactivity, with viewers encouraged to rotate the disc on itself to select one of the multiple views offered by this photographic representation of the entire horizon.

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Pierre-François Ouellette art contemporain

963 Rachel est

Montréal, QC, Canada H2J 2J4

+1 (514) 395-6032

info@pfoac.com

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