Karilee Fuglem C.V.
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Born 1960, British Columbia, Canada

SOLO EXHIBITIONS:

2006 my Darling, The Darling Foundry, Quartier Éphémère, Montreal
2005 connective tissue, Pierre-François Ouellette art contemporain, Montreal
Out Here in Space, Leo Kamen Gallery, Toronto
2003 many things were left unsaid, Gairloch Gallery of Oakville Galleries, Oakville, Ontario
2002 Drawings, Leo Kamen Gallery, Toronto
Some day soon you’ll stop searching for meaning, Pierre-François Ouellette Art Contemporain, Montreal
2000 Cumulous, Southern Alberta Art Gallery, Lethbridge, Alberta
Evidence, Plein Sud, Longueuil, Quebec
1999 Space, Axe Néo-7, Hull
1997 Untitled (le mur qui respire), La Chambre blanche, Quebec City
over + fluff, articule, Montreal
1996 nothing between, Optica, Montreal
Je vous connais, Galerie Samuel Lallouz, Montreal
1993 When I catch myself, AKA Gallery, Saskatoon
Slipping, OO Gallery, Halifax
1992 An Occasional Fit, Belgo Espace 424, Montreal
1988 Urban Myths, 2nd Story Gallery, Calgary

SELECTED GROUP EXHIBITIONS:

2007 De-con-structions, (group exhibition) National Gallery of Canada, Ottawa
2006 TRASH (Alphabet City symposium and book), Drake Hotel, Toronto
2006 résider II, independent group project in a Montreal apartment and associated exhibition at B-312, Montreal
2005 Trashformations, Pierre-François Ouellette art contemporain, Montréal
2005Soft Passages, Oakville Galleries, Oakville, Ontario
2004 Avancer dans le brouillard curated by Anne-Marie Ninacs, Musée du Québec
Sense, curated by Catherine Crowston, Edmonton Art Gallery, Alberta
La Biennale National de Sculpture contemporaine, Trois Rivières, Québec
2003 La Manif d’art 2 (Quebec City Biennial), Quebec City
2002 Uncanny (2-person exhibition), Powerhouse Galerie La Centrale, Montreal
2001 Remettre ça, Galerie B312, Montreal
Breathing Room (2-person exhibition), Dunlop Gallery, Regina, Saskatchewan
Blancs divers, Galerie Art Mur, Montreal
Ideas of Landscape, Landscape of Ideas, Musée d’art contemporain (permanent collection exhibition), Montreal
25 artists, 25 ans: Hommage à la Faculté des beaux-arts, Ellen Gallery, Montreal
1999 Corps et Sonorité (3-person exhibition), Musée Regional de Rimouski
1998 Between Body and Soul, Leonard and Bina Ellen Gallery, Montreal
La Biennale de Montréal, Centre international d’art contemporain, Montreal
Stimuli, Maison de la Culture Frontenac, Montreal
Four Views, Owens Art Gallery, Sackville, New Brunswick
Musée d’art contemporain (permanent collection exhibition), Montreal
1997 De fougue et de passion, Musée d’art contemporain, Montréal
Home Invasion (3-person exhibition curated by Bernie Miller & Dai Skuse), YYZ, Toronto
Corps et empreinte, Galerie Samuel Lallouz, Montreal
Galerie Samuel Lallouz at ARCO, Madrid, Spain
1996 les livres d’artistes Galerie 303, Montreal
1995 résider (apartment exhibition sponsored by La Centrale/Galerie Powerhouse), Montreal
The Constitution of a Nation (curated by Suzan Dionne Balz): The New Gallery, Calgary; A Space, Toronto (1994);
Galerie Articule, Montreal (1993)
1993 Pied-a-terre, (apartment exhibition organized by Mindy Miller with Galerie Articule), Montreal

SITE-SPECIFIC / INDEPENDENT PROJECTS:

1996 Everything reminds me of you, The Red Head Gallery Showcase, Toronto
1990 Proximity (Separation Anxiety Project), Bourget Building, Concordia University, Montreal
1989 Bear Sitings (Dreamland), The Banff Centre & Whyte Museum grounds, Banff
Banff Spring (Dreamland), Roubakine Hall Foyer, The Banff Centre, Banff

UPCOMING EXHIBITIONS:

2006 4 1/2 (working title), independent group project, Montreal
Darling Foundry, Quartier Ephemère, Montreal

EDUCATION:

1989-92 Concordia University, Montreal, M.F.A. (Studio Art)
1986-88 Alberta College of Art, Calgary, Diploma: Associate of Alberta College of Art (Painting), 1988
1984-86 Ontario College of Art, Toronto, Fine Art Diploma Program
1979-80 Douglas College, Richmond, BC, Fine Art Diploma Program
1978-79 University of British Columbia, Vancouver, B.C.

RESIDENCIES:

1999 Axe NÉO-7, Hull
1988-89 Banff Centre School of Fine Arts, Banff
1987 Alliance of Independent Art Colleges of America, New York

GRANTS:

Le Conseil des arts et des lettres du Québec: A Grant, 2004; B Grant, 1994, 1997, 2000, 2002; Project Grant, 1997; Travel Grant, 1997
The Canada Arts Council: B Grant, 1995, 1996, 1999, 2001, 2003, 2004; Short-term Grant, 1994, 1995
Alberta Culture and Multiculturalism: Visual Arts Study Grant, 1987

PUBLIC COLLECTIONS:

Musée d’art Contemporain de Montréal
Musée du Québec (Prêt d’oeuvres), Québec
The Whyte Museum of the Canadian Rockies, Banff

SELECTED ARTICLES:

2005 James D. Campbell, "Thinking Liminality: Karilee Fuglem Between the Visible and the Invisible," ETC Montreal, September, 2005
Bernard Lamarche, "Recyclage Culturel," Le Devoir, July 23-25, 2005
Isa Tousignant, "Threads Bare," Hour, June 2, 2005.
Lyne Crévier, "Filer l'ange," Ici, May 18, 2005.
Christine Redfern, "Look Again," Montreal Mirror, April 28, 2005.
2004 David Cantin, "Témoins d'un réel ambivalent," Le Devoir, October 31, 2004.
Jérôme Delgado, "Brouillard à voir," La Presse, December 12, 2004.
2003 Anne Morasse, "Manif d'art, 2e édition," Para-Para, Parachute 112, 10-12, 2003.
“Changing of the Guard,” Canadian Art, Winter 2003, p 62.
Serge Fisette, “Une biennale, une triennale,” Espace Sculpture, no. 65 (Fall 2003), p 5-10.
Craig McBride, "Artist’s message lies in her methods," Oakville Beaver, February 12, 2003, p C8.
2002 Kim Simon, "Karilee Fuglem: Pierre-François Ouellette art contemporain," Canadian Art Vol. 19 no.4
(Winter 2002), p 89-90.
John Grande, “Karilee Fuglem...Water Drawings,” Vie des Arts issue 188 (Fall 2002) p. 98.
Caroline Loncol Daigneault, “Le réel perdu ou retrouvé : regard sur les oeuvres de Nicolas Baier et Karilee Fuglem,” ETC Montréal, issue 59 (sep-oct-nov 2002) p 15-19.
Gilles Daigneault, “À propos de gravité et de légèretés sculpturales / Sculpture’s Lightness and Gravity,” Espace Sculpture #61, Fall 2002, p 28-30.
Jerôme Delgado “Montrer de l’air,” La Presse, June 7, 2002, pC7.
Bernard Lamarche “Le presque rien,” Le Devoir, May 25-26, 2002, p D7.
2001 Jack Anderson, “Works go beyond fixed walls of gallery,” Regina Leader-Post, October 10, 2001, p A10.
Tomas Jonsson, “Karilee Fuglem: Cumulous,” Artichoke, Summer 2001, p 40-41.
2000 John K. Grande, Art Papers, November/December 2000, p 56.
David Liss, “Luminous Life,” Canadian Art, Fall 2000, pp. 50-53.
1999 Cinthia-Anne Plouffe, “Karilee Fuglem déstabilise nos sens,” Zone, April 1999, p. 16.
Eleanor Heartney, “Report from Montreal: Quotidian in Quebec,” Art in America, February 1999, p. 48-51.
1998 Jennifer Couëlle, Encore le corps mais cette fois, éthéré,” La Presse, November 14, 1998, p. D 16.
Stephanie Bérubé, “La femme qui fait respirer les murs” La Presse, September 12, 1998, p. D12
1997 Stephane Aquin, “De tout en abondance” Voir, November 6, 1997, p. 69.
Laurel Woodcock, “Karilee Fuglem — galerie Optica, Montreal” (ill.) C Magazine, May-August, 1997 (#53), p. 49.
Bernard Lamarche, “Des apparences instables: Quand les oeuvres sont générées par une 
 connaissance de l’histoire de l’art et de ses procédés”(ill.) Le Devoir, May 17 & 18, 1997.
Lucinda Catchlove, “Young Turks ‘97” Hour, May 15-21, 1997.
Jennifer Couëlle, “Jayce Salloum - Karilee Fuglem - Karin Trenkel” (ill.) Art press, March 1997 (#222), 
 p. 69-71.
1996 Bernard Lamarche, “Les détournements de l’espace” Le Devoir, November 17, 1996.
Lucinda Catchlove, “Homely Flesh: Bourgeois and Fuglem relocate the body” Hour, July 25-31, 1996.
Jennifer Couëlle, “Je sens, donc je suis” Le Devoir, July 14, 1996.
David Liss, “Exhibition...” The Gazette, July 13, 1996.
1995 Valerie Lamontagne, “resider” (ill.) C Magazine, Fall 1995, p. 44.
Lucinda Catchlove, “Art house” (ill.) Hour, June 1-7, 1995.
1993 Marie-Michelle Cron, “Le voyeurisme l’emporte sur la pudeur” (ill.) Le Devoir, June 19 & 20, 1993, p. C16.
1989 “Close Encounters at the Whyte Museum” Bow Valley This Week, June 21, 1989, p. 1.

SELECTED PUBLICATIONS:

Anne-Marie Ninacs, Avancer dans le Brouillard [88-page exhibition catalogue, fr. & eng., ill.] Québec: Musée National des beaux-arts du Québec, 2004.
Bernard Lamarche, et al, La Manif d'Art 2: Bonheur et simulacres, [332-page exhibition catalogue, fr. & eng., ill., col.] Quebec City: Manifestation international d'art de Québec, 2004.
Gaston St-Pierre, Entre ciel et terre — Biennale nationale de sculpture contemporaine 2004, (56-page goup exhibition catalogue, fr. & eng., ill., col.] Trois-Rivières, Québec: Editions d’art le sabord, 2004.
Laura Millard and Sylvie Parent, Cumulous [32-page solo exhibition catalogue for 2000 exhibition, fr. and eng., ill.] Southern Alberta Art Gallery, Lethbridge, Alberta, 2003.
Kim Simon, many things were left unsaid [solo exhibition booklet, eng. ill.] Oakville, Ontario: Oakville Galleries Booklets, 2003.
Sylvie Janelle et al, Les Delectations [independent, thematic anthology, 36-pages, fr., ill] Montreal: ETC Montréal out-of-series publications, 2003.
Anthony Kiendl, Breathing Room, [colour brochure for 2001 exhibition, eng., ill.] Regina: Dunlop Gallery, 2003.
Sylvie Parent, Karilee Fuglem [solo exhibition brochure, fr., ill.], Montreal: Galerie Plein sud, 2000,
Karen Antaki and David Liss, Between Body and Soul/ Entre corps et âme. [68-page group exhibition catalogue, fr. and eng., ill.] Montreal: Leonard and Bina Ellen Gallery and Liane and Danny Taran Gallery, 1999.
Réal Lussier, De fougue et de passion. [group exhibition catalogue, fr., ill.] Montréal: Musée d’art contemporain, 1997.
Jack Stanley, “Le Mur qui respire,” Bulletin 23, [annual exhibitions publication, fr., ill.] La Chambre Blanche, Quebec, 1996-97, p. 34-35.

ARTIST BOOKS:

Untitled (flapflapflap), [40 copies, published in conjunction with CROWS project, Ace Art, Winnipeg] produced Montréal, 2001.
résidu [24-page booklet/collaboration, published in conjunction with group exhibition résider, fr. and eng.]. Montréal: Articule & La Centrale Galleries, 1995.
Holding Patterns, [40 copies, published in conjunction with exhibition When I Catch Myself, AKA Gallery, Saskatoon] produced Montreal, 1993.
Slipping, [100 copies, published in conjunction with exhibition Slipping, OO Gallery, Halifax]
produced Montreal, 1993.
BEAR SITINGS, [100 copies, self-published] Montreal, 1990.



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